If you’re a musician, or wish you were, you can’t help but
notice the resurgence of interest in ukuleles: they’re everywhere. While ukes,
as they are affectionately referred to, have been around a long time, until
recently they have been relegated to the children’s section of the music store,
wedged in between the kazoos and ocarinas. But all that has changed. Many
stores now dedicate entire sections to the humble uke. They don’t sit around
for long either. Music stores can’t keep them in stock. Once again ukuleles,
with their legions of devoted players, are in demand. So, what’s the big deal?
Let’s take a look at the instrument, its history and a few notable players. In
the end, you may decide that this summer, it’s time for you to join them.
The ukulele got its start in the 1880s when Portuguese
emigrants from Madeira moved to the Hawaiian Islands. With them came a great
love of music and—a small, four-string fretted instrument known as the machete.
The diminutive instrument entranced the Hawaiians. Such was the impression the
machete made that, after several incarnations, the ukulele evolved. The rest is
history.
The first great wave of American popularity for the uke came
in the late teens through the 1920s, when no self-respecting flapper or college
boy would be caught without a uke. The uke’s popularity was such that musical
publishers clamored for more sheet music to feed the craze. Composers, of
varying abilities, answered the call. The result? A deluge of new songs [many
featuring indifferent melodies and banal lyrics] flooded the market in such
quantities that they are still commonly encountered in antique stores. In spite
of this, the era also produced a great number of songs that are enjoyed by
ukulele players to this day. For a time, all was well. But as the Roaring
Twenties waned, the mania wore off. Finally, the Great Depression seemed to
seal the uke’s fate. As the depression deepened, the uke faded from the scene.
But it would be back….
The last time the uke was hot was in the 1950s when Arthur
Godfrey broadcast his hugely popular variety show. Each week, Godfrey provided
his audience with a ukulele lesson. The result—millions of ukuleles were
purchased by would-be virtuosi. Before the craze died out, everyone from the
Beatles to Elvis had used them. Though the uke’s popularity never matched that
of the 1920s, it was a harbinger of things to come. It looked like the uke just wouldn’t die. But by the 1960s,
the electric guitar had captured the fickle public’s imagination. Once again,
the ukulele faded from the scene; this time ushered out by the falsetto strains
of Tiny Tim.
After that, the ukulele was ancient history as far as the
mainland was concerned. Of course, it still maintained its popularity in
Hawaii. And there matters stood until a few years ago, when a number of players
[most notably Jake Shimabukuro] introduced a new generation to the ukulele’s
charms. As more players took up the uke, enthusiasm built. But this time,
thanks to the Internet, the craze was not to be restricted to the United
States—it became a global phenomena.
Despite the instruments resurrection, there are still people
who look down at the ukulele as a toy, unsuited for serious musical endeavors.
Nothing could be further from the truth. While the six-string guitar is justly
popular, it’s not the only instrument capable of making music. The ukulele is a
versatile instrument in its own right, capable of handling a multitude of
genres from classical to jazz, country and bluegrass.
To get some idea of the ukulele’s versatility, we need only
examine the work of a few stellar players. In the classical realm, the late
John King should be your first stop. King, who taught classical guitar,
pioneered the campanella [“little bells”] style of playing in which—ideally—no
string is struck twice in succession. This results in the strings vibrating
simultaneously while creating an exquisite, bell-like tone, hence the name.
King primarily played soprano ukuleles with the reentrant tuning in which the g
string is one octave above the other strings. This gives the soprano ukulele
its characteristic tone. During the Baroque period, guitars were also tuned in
this fashion. Realizing this, King adapted the music of that era for ukulele,
resulting in some of the most memorable performances of all time. Try the
campanella style if you dare, but be warned: it’s unbelievably difficult,
especially if you have to write the arrangement yourself.
Jazz is another genre that has benefited from the uke’s
renewed popularity. Of course, this is nothing new. Noted jazz bassist Lyle
Ritz [also a uke player] released two albums of jazz ukulele way back in the
60s. Today, among a plethora of outstanding players, the Canadian James Hill
stands out for his virtuoso playing. Although it’s not jazz, his rendition of Flight
of the Bumble Bee is unbelievable.
Once you hear it, you’ll never doubt the
uke’s potential again.
So, how can you join the ukulele renaissance this summer?
While acquiring a ukulele is not a problem, deciding which one to get is
another question. Prices range from $30 to $30,000. The good news is, because
of the low string tension on ukuleles, and the consequent lack of bracing
required for the bridge and soundboard, even modestly priced ukuleles can be
quite serviceable—and a lot of fun too. So, cost should not be an issue for
most people. Beyond financial concerns, prospective players are faced with
choosing from four basic sizes of ukuleles: soprano, concert, tenor, and
baritone [in ascending order]. In
addition some luthiers make their own sizes, such as the sopranino: smaller
even than the soprano. So, let’s take a look and see what might be right for
you.
The soprano, smallest of the four standard sizes, is what
most people think of when they hear the word ukulele. Its strings are normally
tuned gcea, as in: “My dog has fleas.” With its compact size [about 20” long]
and twelve to fifteen frets, it not only provides that characteristic ukulele
sound, but it’s ideal for camping and travel. That’s the beauty of the uke; you
can always find room for it. Try wedging
your cello in the back of your Volkswagen with the camping gear sometime and
you’ll see what I mean. In most people’s minds, the soprano is the ukulele.
Next up in size, the concert ukulele normally comes with a
somewhat larger body and an extended fret board that increases the chromatic
possibilities of the instrument. And so, rather than the 12-15 usable frets
available to most soprano players, the concert uke will enable them to play up
to the 20th fret or so. While this sounds great in theory, and is frequently
useful, it comes at a cost. As you increase the length of an instrument’s fret
board [and its strings] the frets become farther apart. This results in the
player having to spread his or her fingers out further in order to make a
chord. Increased string length also results in increased string tension; you
have to press down on the strings harder. For persons with short fingers, this
may be a consideration. Before purchasing, it’s best to try different sizes and
types of ukes to find what’s right for you.
Larger still are the tenor ukuleles that, because of their
greatly expanded fret board, are excellent for jazz and other genres that may
place a premium on chromatic range. For individuals with large hands, the wider
spacing of tenors might come as a welcome relief, after attempting to maneuver
their fingers within the confines of a soprano fret board. On the other hand, if you gave up
trying to play the guitar because you couldn’t reach the chords, you might not
like the tenor uke either. For those players that do enjoy the tenor, several
custom luthiers make arch top tenor jazz ukuleles that cost thousands of
dollars and involve extensive waiting periods. For impatient [and impecunious]
types like myself, makers such as Kala offer an electro-acoustic arch top that,
for a few hundred dollars, sounds great and is ready to ship. You can plug it
straight into your computer to record too.
The baritone ukulele is the largest of the traditional
sizes. So large, in fact, that it resembles a parlor guitar. That’s appropriate
because, in essence, it’s exactly that—a tenor guitar with nylon strings. The
baritone ukulele also has a very guitar-like tone due to the tuning of its
strings: dgbe. If that sounds familiar, it should. That is the same tuning as
the “top” four strings of the six-string guitar. So, the baritone is tuned
differently than the other ukes and, although the same chord patterns are used,
they do not correspond to the same chords as played on the smaller ukes. When playing
the baritone, the player is essentially using what guitarists refer to as
“inside” chord forms that are frequently used in jazz. For these reasons,
guitar players may find the transition to baritone ukulele particularly easy.
Beyond mere size, there are other considerations the
prospective ukulele player need consider. Part of the fascination surrounding
ukuleles comes from the diversity of forms they take. In addition to normal
ukuleles, some are constructed as resonators, like slide guitars used by blues
players. Banjo ukuleles, or banjoleles, are offered as well and have the
characteristic twang of their larger brethren. At least one company is now
making the ukulele equivalent of a bass for those with low-frequency
aspirations.
Between the various price ranges, sizes, and types, aspiring
ukulele players have a lot to consider when choosing their first instrument.
Consideration should be given to the type of music one wishes to play. While
the arch top is great for jazz, it won’t do so well for bluegrass. Likewise,
the banjo ukulele may not be your top pick for playing Bach. It all depends on
what you want to do. In the beginning, it’s best to try out every uke you
encounter. You’re sure to find something you like.